On dit des chansons de Stan Rogers qu’elles « font partie des points de repère de l’histoire canadienne contemporaine ». Près de trente ans après son décès prématuré, ses chansons continuent d’étonner, de divertir et d’inspirer des gens de tous les horizons. www.stanrogers.net
A child of Maritime stock on both sides of his family, Stan Rogers was born in Hamilton, Ont. on November 29, 1949. He grew to be a big man-six feet four-built like a fire truck, and possessed of a voice that rumbled from his toes. He could bluff and bellow yet was at heart a poet and intellect who would, often as not, sneak away from a gathering to curl up with a book. He made friends and enemies easily, gaining the former for life and often, in time, converting the latter.
He became a songwriter too, working as a rock bassist while still a teenager and later embracing the folk idiom. After a few years as a more-or-less conventional folkie songwriter, he discovered his real gift. After some persuasion by his Aunt June in Canso Nova Scotia, he began to write songs about his familial home…his roots. Those early songs found their way on to Stan’s first album, Fogarty’s Cove, and he was on his way. From that point forward, Stan’s best writing was about the Canadian experience. His songs gave a new voice to ordinary folks who worked the fisheries, mines and farms of this vast country.
Stan was a passionate Canadian partisan, and much of his short creative life was taken up with song cycles that chronicled the East, the Plains, the West and finally the Great Lakes and Ontario. It was a natural progression for a wanderer…to scan a continent and finally return to write of the wonders of home. He was always on the road pursuing his dream of establishing a national identity for Canadian songwriting. It was a dream fulfilled; through his constant soaring, dynamic performances, and brilliant songs, he was known throughout most of the English-speaking folk music world.
Stan died in a fire on Air Canada flight 797 at Cincinnati, Ohio airport on June 2nd, 1983. He was returning from a folk festival in Kerrville, Texas. Memorials and honours were numerous in the months that followed and in May, 1984 he was posthumously awarded the Diplôme d’Honneur by the Canadian Conference of the Arts.
His music continues to amaze, amuse and inspire people from all walks of life. It has appeared in several poetry anthologies, been used in films, plays and musicals, and has been referred to as « one of the touchstones of modern Canadian history. »
By Emily Friedman
Digitally remastered tracks of hand-picked Stan songs.
Recorded at Springfield Sound in 1976, this was Stan’s first full-length album.
This album includes many of Stan’s contemporary songs as well as two cover songs, showing his versatile style and range.
Recorded in Toronto in 1978, this live album captures the energy of Stan’s live performances and includes songs premiered in this live session
Recorded in 1980 and an outstanding example of the ‘mature songwriter’ Stan had become.
After exploring the Maritimes and the West, Stan decided it was time to write about his home province of Ontario. From Fresh Water captures some of the history and contemporary observations of the Great Lakes Region. Tracks include White Squall, the NHL-inspired Flying, The Nancy and stirring ballad The Lockkeeper.
Recorded at the Rebecca Cohn Audotorium, this live album includes some off-the-cuff wit and banter between the band and a selection of fan favourites
Two radio plays broadcast on CBC Radio.
Harris & the Mare (1982)?(By John Gavin Douglas, inspired by Stan’s song)The Sisters (1979)?(By Silver Donald Cameron, music composed by Stan)
A selection of studio and live performances throughout Stan’s career, all previously unreleased.
Cast recording from the critically-acclaimed stage show.